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GAGE 360
Summer 2021
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Gage 360 Online
ADULT
Drawing
Painting
Sculpture & Printmaking
Workshops
Gage Perspectives
Ateliers
What is an Atelier?
Classical Atelier
Faigin
Flack
Georgetown
Kang-O’Higgins
Magrath
Trowbridge
Studio Arts Intensive
Open Studios
Scholarships
YOUTH
Summer Camps!
FREE Friday Teen Art Studios (TAS)
Youth Scholarships
VIRTUAL EVENTS
Best of Gage
KOH Atelier Show
Faigin Atelier Show
Gage Perspectives & Lectures
DONATE
SIGN IN
DISCOVER
About Us
Diversity, Equity and Inclusion
Membership
Scholarships
Opportunities
Academic Calendar
Staff & Trustees
Instructors
GAGE 360
Summer 2021
Gage Perspectives
Gage 360 Online
ADULT
Drawing
Painting
Sculpture & Printmaking
Workshops
Gage Perspectives
Ateliers
What is an Atelier?
Classical Atelier
Faigin
Flack
Georgetown
Kang-O’Higgins
Magrath
Trowbridge
Studio Arts Intensive
Open Studios
Scholarships
YOUTH
Summer Camps!
FREE Friday Teen Art Studios (TAS)
Youth Scholarships
VIRTUAL EVENTS
Best of Gage
KOH Atelier Show
Faigin Atelier Show
Gage Perspectives & Lectures
DONATE
SIGN IN
Instruction Evaluation
Instruction Evaluation
Chad Leman
2019-09-26T12:24:40-07:00
Full Name
Instructor
*
Aron Hart
Amy Huddleston
Barbara Fugate
Barbara Noah
Brian Snoddy
Charles Emerson
Dale Zinkowski
Dominique Medici
Edie Everette
Elijah Evenson
Fong Baatz
Gary Faigin
Geoff Flack
Hamid Zavareei
Humaira Abid
Jeffrey Simmons
Jeremias Lentini
Jim Phalen
Jonathan Happ
Josh Chuzi
Julia Aristidies
Julia Ricketts
John Zadrozny
Kathleen McKeehen
Kathleen Moore
Kimberly Trowbridge
Klara Glosova
Larine Chung
Linda James
Mardie Rees
Margaret Davidson
Marissa Vitiello
Michelle Bates
Mike Magrath
Nicholas Enevoldsen
Patrick LoCicero
Ryan Weatherly
Steven Reddy
Suze Woolf
Terry Furchgott
Tip Toland and Meg Murch
Tom Hoffman
Tony Ryder
Valerie Collymore
Willow Heath
Hamid Zavareei
Basics of Drawing
Oil Painting Fundamentals
Portraits in Watercolor
The Art of Encaustic Painting
Aron Hart
Portrait Drawing
Foundation Figure Drawing I
Josh Chuzi
Beginning Figure Drawing
Ryan Weatherly
Mentored Studies in Abstraction
Brian Snoddy
Illustration Program
Kimberly Trowbridge
Collage and Value from the Still-Life
Color for Painters
Advanced Seminar
Nicholas Enevoldsen
Figure Painting in Oils
Intermediate Figure and Portrait Drawing
Humaira Abid
Miniature Painting
Valerie Collymore
The Science in Art and Techniques of the French Impressionists
Amy Huddleston
Acrylic Still-Life
Contemporary Portrait in Acrylic
Linda James
The Emotional, Psychological, and Spiritual Content of Color in Abstraction: Watercolor
Larine Chung
Color Harmony
Color Theory and Color Mixing
Dominique Medici
Drawing the Portrait On Toned Paper
Alla Prima Portrait Painting with the Zorn Palette
Drawing the Figure On Toned Paper
Speed Portraits With A Limited Palette
Klara Glosova
Painting & Photography
Fong Baatz
Expressive Portrait Painting
Patrick LoCicero
Metaphorical Translations in Collage
Autobiographical Box
Mardie Rees
Sculpting the Human Face
Gestural Sculpting & Drawing The Figure
Suze Woolf
The Landscape in the Winter
Steven Reddy
Dynamic Detail in Ink and Watercolor
Urban Sketching
Elijah Evenson
Beginning Portrait Sculpting
Beginning Figure Sculpting
Tip Toland & Meg Murch
Fired Clay Sculpture & Cold Temperature Surfaces
Margaret Davidson
Studio Concentration
Mike Magrath
Figure Sculpting Studio
Gesture Sculpture
Constructive Anatomy
Willow Heath
Petite Nature Scenes: Beginning Watercolor
Pet Portraits in Watercolor
Winter Watercolor Greetings
Jim Phalen
Still Life Painting in Oils
Portrait Painting
Mentored Studies in Representation
Jeffrey Simmons
Color in Abstract Painting
Abstraction and Paper
Tom Hoffman
Beginning Watercolor
Intermediate Watercolor
Advanced Watercolor
Julia Ricketts
Abstract Painting: Shape and Form
Abstract Drawing: From Lines to Layers
Kathleen Moore
Drawing For Beginners
Landscape Painting: Land and Water
Foundations of Drawing: The Still-life
Jonathan Happ
Oil Painting for Beginners
Kathleen McKeehen
Winter Wonders in Watercolor
Painting the Natural World
Botanical Drawing
Botanical Holiday Cards
Edie Everette
Learn to Illustrate
Charles Emerson
Abstracting Reality with Color and Composition
The Josef Albers Painting Boot Camp
Studio Concentration
Barbara Fugate
Mixed Media Figure Drawing: Texture, Color, Line
Matisse and Munch: Color Connections
Terry Furchgott
Spring Flowers in Pastel
Portrait and Pattern: Klimt Inspiration in Acrylic
Portrait Drawing: The Head, Face, and Features
Foundations of Drawing II
Barbara Noah
Painting the Figure from Photographs
Dale Zinkowski
Portrait Painting in Oil
Geoff Flack
Perspective Drawing
Figure Drawing: New Techniques and Materials
John Zadrozny
Short Pose Figure Drawing
Beginning Portrait Drawing
Juliette Aristides
Figure Drawing on Toned Paper
Jeremias Lentini
Sculpting Expressive Faces in Clay
Gary Faigin
Portrait Drawing
Michelle Bates
Photodocumenting Your Artwork
Marisa Vitiello
Photo Editing For Artists
Why did you choose this course?
Subject
Instructor
Time
Other
Please tell us why:
Would you recommend this class to others?
Yes
No
How did you hear about Gage?
Word of Mouth
Search Engine
Gage Catalog
NPR
KING-FM
City Arts
The Stranger
Exhibitions
Event
Other
How did you hear about us?
Instructor/Curriculum
Does the instructor offer clear, orderly, and helpful instruction?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Do the lessons challenge and expand your knowledge of the material?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Do you enjoy how the subject is taught?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Does the instructor address your learning needs?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Is what you learned valuable to your artistic practice?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Please provide feedback for the course curriculum and/or instructor.
Learning Environment
Does the instructor differentiate instruction for varied skill levels in the classroom?
*
5 - Absolutely
4
3
2
1 - Not At All
.
What can we do better?
Does the curriculum feel organized?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Does the instructor provide individual and group critiques and provide valuable feedback?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Please provide feedback on the classroom learning environment.
Facilities/Communications
Was the course clearly described online and in the catalog?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Was the course easy to find and register for?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Was it easy to locate your classroom?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Was the building well kept and cleanly?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Did you find the campus and the classroom accessible?
*
5 - Absolutely
4
3
2
1 - Not At All
What can we do better?
Please provide feedback for the Gage Facilities.
Any Additional Comments:
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