Notan and Composition w/Kathleen Moore

Friday | 5/3 | 9:30 AM-4:30 P.M.

 

Kathleen Moore is a visual artist who paints with oil colors or soft pastel to capture moments of awe, from vast, stormy skyscapes to the intimate amazement by a single flower. “The natural world,” Moore explains, “has an overwhelming power to make you stop and and reconsider your position and role on the planet. I paint to record a sensation of interconnectedness and fragility of life. This is why the arts are so important, they serve as reminders that we are at once greater, and lesser, than we believe.”

Challenging belief, or what we believe we see, is a recurring theme in the classes and workshops Moore teaches. “I’m like a fitness coach,” Moore chuckles, “I get students moving with exercises to build their skills in drawing and painting, then we do the “yoga” part where students learn to stretch how and what they perceive.”

Originally from Texas, Moore has lived in the Seattle area since 1990. She received her BA in art from West Texas A&M University then continued her study of painting at Bruchion School in Los Angeles, CA and Gage Academy of Art in Seattle, WA.

Kathleen Moore is a teaching artist at Gage Academy of Art in Seattle where she teaches beginning drawing and landscape painting. Moore delights in encouraging people to draw in outreach projects at Gage, such as Pop-up Drawing Jams and Drink & Draw events.

Friday
5/3
9:30 AM-4:30 P.M.
$115
All Levels Welcome
Gage Capitol Hill
  • 1 sketch book – 12″x9″ or larger
  • 4 graphite drawing pencils – HB, 2B 4B, 6B
  • 1 kneaded eraser
  • 1 pencil sharpener
  • 1 black marker (a black Tombow Brush Pen is ideal, but any black marker will work)
 
More than just “black and white” or “light and dark” the concept of “notan” leads us to look more closely at how we structure a painting or drawing. In this one-day workshop you will learn just what “notan” is and develop a feel for what makes a strong composition. Through several hands-on exercises you will learn to sense the dynamics of your composition and thereby gain control of that important foundation of your painting.
 
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