Five-Week Classes
Weekend Workshop
Weeklong Workshop

Spring’19 Adult Classes

Open Studios

Open Studios Schedule

Drawing

All 10-week classes are on session now. Check Spring’19 for a new listing of 10-week drawing classes!

Painting

All 10-week classes are on session now. Check Spring’19 for a new listing of 10-week painting classes!

Sculpture

All 10-week classes are on session now. Check Spring’19 for a new listing of 10-week sculpture classes!

Georgetown

All Georgetown classes and workshops are on session now. Check Spring’19 for a new listing of Georgetown programs!

Studio Concentration

Studio Concentration: Classical Painting Intensive – Juliette Aristides
Monday-Friday | 3/25-4/5 | 9:30 A.M.-4:30 P.M.

This Winter Quarter build your artistic vocabulary as you work under the tutelage of Juliette Aristides, artist, author and instructor of the Aristides Atelier at Gage. The emphasis will be on skill building through working from life from both a model and a still life.

Printmaking

Paper Marbling Marvel – Sophie Loubere
Friday-Sunday | 3/29-3/31 | 9:30 A.M.-4:30 P.M.

Dive deep into the ancient art of painting on water and pull your own one of a kind, mesmerizing print: now how to make their own marbled paper in both the accessible Japanese tradition as well as the more involved Turkish tradition.

Printmaking Methods: Collagraph, Monotype, & Mixed Media – Sophie Loubere
Saturday-Sunday | 4/6-4/7 | 9:30 A.M.-4:30 P.M.

Monotype and collagraphy are painterly, spontaneous, and accessible printmaking techniques: not only learn these techniques but also experiment with incorporating other mark making methods.

Five-Week

All 5-week classes are on session now. Check Spring’19 for a new listing of 5-week classes!

Weekend Workshops

March

Painting the Alla Prima Figure – Aaron Coberly
Saturday-Sunday | 3/23-3/24 | 9:30 A.M.-4:30 P.M.

Work in oil paints and learn how to capture the most essential qualities of a figure by painting broadly but accurately while seeing the figure as a whole set into an environment.

Paper Marbling Marvel – Sophie Loubere
Friday-Sunday | 3/29-3/31 | 9:30 A.M.-4:30 P.M.

Dive deep into the ancient art of painting on water and pull your own one of a kind, mesmerizing print: now how to make their own marbled paper in both the accessible Japanese tradition as well as the more involved Turkish tradition.

Gesture Drawing and Sculpting the Figure – Mardie Rees
Saturday-Sunday | 3/30-3/31 | 9:30 A.M.-4:30 P.M.

Capture the human figure in motion and the gesture using line drawings and then by modeling the figure three-dimensionally.

April

Printmaking Methods: Collagraph, Monotype, & Mixed Media – Sophie Loubere
Saturday-Sunday | 4/6-4/7 | 9:30 A.M.-4:30 P.M.

Monotype and collagraphy are painterly, spontaneous, and accessible printmaking techniques: not only learn these techniques but also experiment with incorporating other mark making methods.

Weeklong Workshops

March

Studio Concentration: Classical Painting Intensive – Juliette Aristides
Monday-Friday | 3/25-4/5 | 9:30 A.M.-4:30 P.M.

This Winter Quarter build your artistic vocabulary as you work under the tutelage of Juliette Aristides, artist, author and instructor of the Aristides Atelier at Gage. The emphasis will be on skill building through working from life from both a model and a still life.

Supercharge Your Still Life Painting by Adding Imagination – Clive Smith
Monday-Friday | 3/25-3/29 | 9:30 A.M.-4:30 P.M.

Working from the actual objects, learn how to incorporate information from other sources to transform what you see into something convincing, and yet invented under the guidance of master artist Clive Smith.

Tonal Portrait Drawing – Dale Zinkowski
Monday-Friday | 3/25-3/29 | 9:30 A.M.-4:30 P.M.

By working from the live model, over an extended pose and discover a clear and straightforward way to approach drawing the portrait tonally, with an emphasis on accurate drawing and observation.

April

Painting from Still Life – Susan Jane Walp
Monday-Friday | 4/1-4/5 | 9:30 A.M.-4:30 P.M.

Focus on still life as a vehicle for approaching composition from a more personal perspective and for learning to see more clearly and deeply the tonal and spatial relationships that are the building blocks of painting from direct observation.