A native of Maquoketa, Iowa, Rose Frantzen has gained national and international acclaim for her oil paintings from life that bring contemporary perspectives to a traditional alla prima approach. In addition to landscapes, still lifes, and figurative works, Frantzen creates serial and allegorical works that incorporate diverse stylistic elements along with gilding, stained glass, and mosaic.

Frantzen is a frequent demonstrator, guest lecturer, and panelist discussing art and the artist's life in the 21st century at museums and national art conventions. Her paintings have been featured in numerous national and international art magazines and journals, and she has been a frequent faculty member at the Portrait Society of America's Annual Conference, demonstrating portrait painting.

Frantzen studied at the American Academy of Art in Chicago, the Palette & Chisel Academy with Richard Schmid, and at the Lyme Academy College of Fine Arts, studying anatomy with the late Deane G. Keller.


Website: http://www.oldcityhallgallery.com/page19/page5/index.html
Instagram: @rosefrantzen

Artwork by Rose Frantzen

Gage Academy of Art acknowledges the Coast Salish Peoples as the original inhabitants of this area and connecting waterways. We understand the land that Gage occupies is unceded territory and that today many Indigenous peoples live here and without their stewardship, we would not have access to this space. We honor the Coast Salish Peoples’ sovereignty, rights to self-determination, culture and ways of life. Since time immemorial, Indigenous peoples have called this territory their sacred land. We commit to learning, educating others and repairing the legacy of historically harmful relationships between non-Native and Native peoples in King County. In doing so, we will be honest, and recognize the experiences of Native peoples to include genocide, forced relocation, forced assimilation, and land theft. We also acknowledge Native peoples are survivors, present in today’s world, thriving. We encourage everyone here today to ask themselves: what can I do to support Indigenous communities?

In an effort to be transparent, Gage is contemplating this call to action and re-working how to best support Indigenous communities.

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